Movies on Chatham Film Group
The product of the movie industry is a story . . . told primarily in visual imagery and movement, and . . . dialogue. The movie shares the function of all storytelling, of all literature, of all theater: that of a comment on some phase of existence.
—Hortense Powdermaker (1950)*
A point of view can be a dangerous luxury when substituted for insight and understanding.
—Marshall McLuhan (1962)*
DO MOVIES SPEAK FOR THEMSELVES?
Movies on Chatham publishes monthly research articles and essays on movies, typically according to a theme sequence, earning reader support as an important source of insight and critical thought on what films communicate to their audiences.
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In the spring, we explored propaganda by watching movies either about the topic, or by watching movies that purposefully and strategically present only one side of a more complicated issue.
Of course, propaganda can be used to influence either positive or negative outcomes. Yet, we know that whether a film is considered positive or negative often depends on the perspective or bias of the viewer.
This fall, we consider the (possible unwitting) influence of movies on societal attitudes and behavior at a cultural moment. Our focus is on “changing times,” considering that, apart from any direct pressure to do so, we adapt and change our world view and/or behavior in light of changing technologies, new knowledge, and social norms.
Can the simple act of seeing a movie and learning from it change social attitudes and behavior? Or, do people always tend to respond to a movie based on earlier established sensibilities?
Our October movie, Charade (Donen, 1963), offers an opportunity to consider the classical style of filmmaking characteristic of Hollywood’s Golden Age. Why and how were movies of that era so memorable? What makes this style distinctively different from movies we see today? Simply presenting stars such as Cary Grant and Audrey Hepburn is a start!
Watch this movie with us to compare the communication style of films from that era to the present. Then leave us a comment about what you notice about our “Changing Times” in this film. We love to hear from you.
2018 Fall Schedule
1957 Drama 157 mins
1963 Drama 113 mins
1990 Drama 126 mins
2018 Drama 144 mins
Powdermaker, H. (1950). Hollywood, the dream factory: An Anthropologist looks at the movie-makers (1st Ed.). Boston: Little, Brown.
McLuhan, M. (1962). The Gutenberg galaxy: The Making of typographic man. Toronto: University of Toronto Press.
Robson, M. [Director] (1957). Peyton Place [Motion Picture]. USA: 20th Century Fox.
|Located in Atlanta, Georgia, the film capital of the South, MoviesonChatham was founded in 2010, and since then we have provided monthly film critiques in a private group setting—now to the public.|